Deepest Rhythms

ARC Gallery

Entry Deadline: Aug. 30

1463 West Chicago Ave
Chicago, IL 60642
PHONE (312) 877-5760

https://www.arcgallery.org/

Call for Art: Deepest Rhythms after Audre Lorde

Curator: Corinne Pompéy

Application Deadline: Sunday, August 30, 2026, 11:59pm CST

This work gathers at the midpoint between the fall equinox and the winter solstice, where the year tips into its dark half. It is a threshold season, and the body knows it before the mind does. The pull toward slowness and the disappearing of the light. The instruction to fold inward as the ground begins its own long rest.

To pause here is not idleness. It is a refusal. The world we inhabit demands constant motion and vigilance, and to stop is to say no to that. In this season, the choice to slow becomes an act of care. It is also defiance.

As the warmth thins and light withdraws, the self turns to interior work. This is the kind of knowledge only the dark makes possible. The western hemisphere, and the body alongside it, prepares for rest, the implied question is what should be carried forward and what should be laid down? The withdrawal of light is not where the membrane between worlds grows thin. The shadows draw near, and we make room for them. We honor the ones who created our bodies with their own erotic power. We honor the dead and respect their navigation of the same rhythm of humanity we are now pursuing. We keep vigil to remember the accumulated knowing our own bodies fight to retain.

Photography mimics this register of motion and rest, of the porous body and the thinning veil. It respects the cyclical. The natural rhythm of withdrawal and return. It harkens, as Lorde wrote, to the body’s deepest rhythms. To slow, to descend, to honor the dead, to let the body rest. They are one act to tend the fire of our fearless selves.

This call is for photography that engages with liminality and seasonal transition; images exploring rest, descent, ancestry, grief/vigil, or the body’s relationship to seasonal rhythm. Landscape, portraiture, and still life photographs are all welcome as long as the work speaks to this in-between, threshold energy.

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