The Portrait. We use portraits as objects of remembrance and reverence, of seduction and glorification. From the keepsakes in lockets as tiny remembrances of love, to the likenesses of leaders meant to inspire and seduce with their power. They can stir, and confront, and drive us to action. Just as they can lull in longing for a time since passed. They act as a mirror in whose reflection we find the inward experiences of ourselves, or as a window from which we look out toward the virtues of another.

Analog and digital manipulation in all its forms welcome. Monochrome or color, all subjects, analog, digital or antique processes, photographers of all skill levels and locations are welcome.

Aline Smithson is a visual artist, educator, and editor based in Los Angeles, California. Best known for her conceptual portraiture and a practice that uses humor and pathos to explore the performative potential of photography. Growing up in the shadow of Hollywood, her work is influenced by the elevated unreal. She received a BA in art from the University of California at Santa Barbara and was accepted into the College of Creative Studies, studying under artists such as William Wegman, Allen Ruppersburg, and Charles Garabian. After a decade-long career as a New York Fashion Editor, Smithson returned to Los Angeles and to her own artistic practice.

35-40 selected images will hang in the SE Center’s virtual gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.