International Call for Art, ArtMaze Magazine Spring Edition
Entry Deadline: Feb. 20
Art Maze Magazine is an independent artist-run and ad-free international print and online publication dedicated to showcasing and promoting experimental and progressive contemporary art, which reflects modern society and its environment, provokes conversation and action; fosters innovation and diversity of mediums which make today’s art scene so intriguing and versatile.
ELIGIBILITY: Artists are welcome to submit works in any medium: painting, drawing, sculpture, ceramics, printmaking, photography, textile, installation, mixed media, digital, film (only jpg + link to video) etc. All visual art mediums are welcome.
Artists or any art organisations on behalf of artists from all countries are welcome to submit their works for consideration.
Each submitted artist, whether selected for a publication or not, will receive a digital copy of the magazine’s issue which they applied for.
DEADLINE: February 20th, 2019 (12:00 AM, midnight: end of the day 20th February – Eastern Standard Time)
GUEST CURATOR: Matthew F Fisher, artist and independent curator
HOW TO APPLY: www.artmazemag.com/call-for-art
DISTRIBUTION: Physical and digital copies of ArtMaze Mag are distributed worldwide via bookshops, galleries and online. More info: http://artmazemag.com/shop/
Selected artists will be asked for high resolution images and will be published in the next print and digital issue of ArtMaze Magazine. Each (selected) artist will receive a 1 or 2-page spread in print and digital (PDF) magazine including bio, statement, website, and 1-5 featured artworks. All submitted artists will receive a complimentary PDF copy of the magazine and all published artists will be promoted on our website/social media. Physical copies of Art Maze Magazine are printed to the highest quality in London, UK.
Matthew F Fisher is a painter living and working in Brooklyn, NY. He has had solo shows with SHRINE, New York, NY (2020), Taymour Grahne, London, UK (2019, 2017), Ochi Projects, Los Angeles, CA (2019), and Johansson Projects, Oakland, CA (2018). He has also had an active side hustle curating group shows such as Crunch, The Breeder, Athens, GK (2017), Nothing Less, SARDINE, Brooklyn, NY (2014), New York, New Work: The Object Direct, Mississippi State University (2008), and The Longest Day, co-curated with Jon Lutz, Brooklyn, NY (2008). He maintains an Instagram account where he actively promotes artists whose work differs greatly from his own; but, like himself, these are artists who use the act of painting or sculpting in combination with the inaccuracies of the handmade as the best way to translate their ideas into reality.