SMOOTH: Mangle Boards of Northern Europe & Contemporary Concepts

The Center for Art in Wood

Apr. 21, 2024 - Jul. 22, 2017

141 North 3rd Street
Philadelphia, 19106
Phone (215) 923-8000

https://centerforartinwood.org/

Join us in the Gerry Lenfest Gallery for an exhibition of mangle boards, highly-ornamented planks of wood used to smooth wrinkles from linen in the 16th to 19th century. The thirty-seven handcrafted mangle boards on view come from seven northern European countries.

Guest curator Jay Raymond studied four private and eighteen museum collections, in total more than 7,000 mangle boards, and authored a massive reference, Mangle Boards of Northern Europe (2015).

The Center gratefully acknowledges the following lenders of historic mangle boards: Marty and Buck Carson, Jacqueline Lind, and the American Swedish Historical Museum.

In conjunction with this exhibition, the Center invited twelve artists to produce new mangle boards. The project elicited a range of responses—from works that reflected the traditional motifs seen in this art form, to meditations on women’s work and the current political upheaval.

PARTICIPATING ARTISTS: Melissa Engler & Graeme Priddle | Ashley Eriksmoen | Amy Forsyth | Michael Hosaluk | Katie Hudnall | Beth Ireland | Hilary Pfeifer | Merryll Saylan | Michael Scarborough | Betty Scarpino | Kimberly Winkle

Gallery talks
April 22, 2017 2 – 4:00 PM with curator Jay Raymond and artists Amy Forsyth and Michael Scarsborough 4 – 6:00 PM reception
June 6, 2017 6 – 8:00 PM with Jay Raymond and artist Beth Ireland at the Center

For questions about our events and to RSVP please contact Katie Sorenson at [email protected].

Exhibitions at the Center are generously supported by the Cambium Circle members of The Center for Art in Wood, The Bresler Family Foundation, Pennsylvania Council on the Arts, Philadelphia Cultural Fund, and Windgate Charitable Foundation. Corporate support is provided by Boomerang, Inc., Penn State Industries and Signarama Center City.

The Center for Art in Wood

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